"Some people have difficulty with that song ['And Then So Clear'] because the voice sound is so unusual. [...] What people appreciate is very faithful voice recordings. Nothing else is faithful now. Drums are processed - everything else has a huge range over which it can roam. But the voice is still expected to be a voice. It's rather like... if you made a romantic film, you could stretch colour values and all sorts of things in the film. But if the lead actor were actually a robot, people would find that very unsatisfactory. They want the lead voice to be a real person that they think they can empathize with. Whereas I don't. I'm just as happy if that figure is just as fictional as the rest of the landscape." - [in conversation] with Danny Hillis |
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For more about Eno, see the [EnoWeb] fan site.
"Some people have difficulty with that song ['And Then So Clear'] because the voice sound is so unusual. [...] What people appreciate is very faithful voice recordings. Nothing else is faithful now. Drums are processed - everything else has a huge range over which it can roam. But the voice is still expected to be a voice. It's rather like... if you made a romantic film, you could stretch colour values and all sorts of things in the film. But if the lead actor were actually a robot, people would find that very unsatisfactory. They want the lead voice to be a real person that they think they can empathize with. Whereas I don't. I'm just as happy if that figure is just as fictional as the rest of the landscape." - [in conversation] with Danny Hillis
A Year With Swollen Appendices consists of a diary Eno kept throughout 1995, plus an assortment of essays and letters. A mishmash of insightful philosophizing, studio experiences, and a few indulgent minutiae, with more than a few pages that could apply here.
[Games For Musicians] - improvisational role-playing with David Bowie's band: "You are a musician at "Asteroid," a space-based club (currently in geostationary orbit 180 miles above the surface of the Moon) catering mainly to the shaven, tattooed and androgynous craft-maintenance staff who gather there at weekends..."
[Carnival: A model for culture] - a brief article first published in Whole Earth Review. Could be a statement of principles for Puzzlebox.
There's a number of especially Strange-worthy songs on his early solo albums: "Driving Me Backwards" and "Baby's On Fire" from Here Come The Warm Jets, The Great Pretender from Taking Tiger Mountain.
The Shutov Assembly is a collection of ambient pieces mostly composed for art installations. Some are relatively soothing, but there's a certain coldness to them, and an edge of dissonance that makes several of them rather unsettling - good, brooding Strange ambiance. "Ikebukuro" would make a good soundtrack to the Night Gardens.